This collaborative project within DIANE catalogues and explores the transnational roots of national and regional anthems in Europe. National anthems have been described as ‘possibly the strongest, clearest statement of national identity’. While individual case-studies point out that many of these national symbols had in fact transnational roots, historiography of this genre remains remarkably secluded within the national borders. This innovative research will study national anthems in a much broader sense, including the cultural and intellectual transfers between different national and regional musical and literary traditions and language areas in Europe.
Direct democracy has been a means to gain greater autonomy for national and regional movements. In the past decades, many national and regional movements have organised independence referendums, with varying results. NISE is in the process of mapping these endeavours, and wants to showcase European independence referendums on a geographical map with timeline.
Continue reading “Independence Referendums”
Throughout the second half of the nineteenth century, organised communal singing became a primary leisure activity in Europe that attracted all layers of society. These choral societies often became instruments of nation-building, singing in native languages and praising the homeland. Though strongly patriotic in tone, choral societies borrowed from each other and relied heavily on prominent German or French models.
This projects gathers and connects the data that has been collected by participants in the Antwerp workshop in 2011 (jointly organised by SPIN and NISE) and the resulting proceeding Choral societies and Nationalism in Europe (2015).
The project is the result of a collaboration with the Study Centre for Flemish Music and emphasises the rise of choral societies in Belgium from 1823 to 1855.